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PhD fellowship on Audio-Visual Approaches for Music Information Retrieval at UPF

Last year I started to collaborate with my colleague Gloria Haro, from UPF, working on image processing, trying to incorporate audio and image descriptors for music analysis. We had a student who worked for several months on this and we are now opening a PhD position to further advance in the topic.

Anyone interested please apply! This is the official call:

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The Music Technology Group (MTG) and the Image Processing Group (GPI) of the Department of Information and Communication Technologies, Universitat Pompeu Fabra in Barcelona are  opening a joint PhD fellowship in the topic of “Audio-Visual Approaches for Music Content Description”  to start in the Fall of 2015.

Motivation:

Music is a highly multimodal concept, where various types of heterogeneous information are associated to a music piece (audio, musician’s gestures and facial expression, lyrics, etc.). This has recently led researchers to apprehend music through its various facets, giving rise to multimodal music analysis studies (Essid and Richard, 2012).

Goal:

Research on the complementarity of audio and image description technologies to improve the accuracy and meaningfulness of state of the art music description methods. These methods are the core of content-based music information retrieval tasks.

Several standard tasks could benefit from it:

  • Synchronization of audio / video streams
  • Audio-visual quality assessment
  • Structural analysis and segmentation
  • Discovery of repeated themes & sections
  • Automatic video mashup generation
  • Music similarity computation
  • Genre / style classification
  • Artist identification
  • Emotion (mood) characterization
  • Optical music recognition (OMR)

Supervisors: Emilia Gómez (MTG) / Gloria Haro (GPI)

Requirements:

Applicants should have experience in audio and image signal processing, and hold a MSc in a related field (e.g. telecommunications, electrical engineering, mathematics, physics or computer science). Experience in scientific programming (Matlab/Python/C++) and excellent English are essential. Musical background and expertise on multimedia information retrieval are also valuable.

The grant involves teaching assistance (up to 60 h a year), so interest for teaching is also valued.

More information on grant details:

http://www.upf.edu/dtic_doctorate/

http://www.upf.edu/dtic_doctorate/phd_fellowships.html

Provisional starting date: November 2015

Application:

Interested candidates should send a motivation letter, a CV (preferably with references), and academic transcripts to Prof. Emilia Gómez (emilia.gomez@upf.edu) and Prof. Gloria Haro (gloria.haro@upf.edu) before September 10th. Please include in the subject [PhD Audio-Visual].

They will also have to apply to the PhD program of the DTIC of the UPF.

References

  • S. Essid and G. Richard, “Fusion of Multimodal Information in Music Content Analysis”. in Meinard Müller, Masataka Goto and Markus Schedl (Eds) “Multimodal Music Processing”, Dagstuhl Follow-ups, volume 3, pp. 37-53, ISBN 978-3-939897-37-8, 2012.
  • M. Müller, M. Goto and M. Schedl (Eds) “Multimodal Music Processing”, Dagstuhl Follow-ups, volume 3, ISBN 978-3-939897-37-8, 2012.
  • A. Schindel & A. Rauber. A (2013). Music Video Information Retrieval Approach to Artist Identification, CMMR.
  • Y.W. Wang, Z. L.Z. Liu, & J.C. Huang. (2000). Multimedia content analysis-using both audio and visual clues. IEEE Signal Processing Magazine, 17(November). doi:10.1109/79.888862
  • Yue Wu, Tao Mei, Ying-Qing Xu, Nenghai Yu, Shipeng Li, “MoVieUp: Automatic Mobile Video Mashup”, IEEE Transactions on Circuits and Systems for Video Technology, 2015.

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Un mes irrepetible / A unique month

Yes, last month has been so unique for me that I wanted to share it with a post.

ISMIR 2014

ismir

From October 27th to November 1st, I attended the 15h International Conference of Music Information Retrieval in Taipei, Taiwan. ISMIR is by far my favorite conference, where I meet most of my colleagues, get to know the advancements in the field, and get fresh ideas for my research. This year, it was a busy edition for me. We presented some work related to the PHENICX project, where we try to apply MIR techniques for classical music, in particular for symphonic repertoire and within the context of a concert, so including real-time description. In addition, we had several meetings of the society board, where I take part as a member. Finally, I was co-authoring a poster on the robustness of low-level features, another one on melodic similarity of flamenco music, in the scope of our COFLA project, and presenting a demo of our MIR.EDU library for music education! A lot for a single week!

proxy  It was a great conference: amazing city and landscape, very good organization, nice presentations and research outcomes, and good perspectives for next year in Málaga, Spain.

After coming back from ISMIR, I had my tenured defense on November 5th. After some years working at UPF and a long waiting period due to economic restrictions, I got tenured assistant professor thanks to the Serra Hunter program of the Catalan government. I am really happy for that!

One week later, this Wednesday, I attended a workshop in Madrid that the Spanish Association of Symphonic Orchestras (AEOS) and BBVA foundation devoted, in its first day, to the new challenges and opportunities that technology offers for orchestras. I presented the PHENICX project, including use cases and the technologies that the different partners are researching and developping, integrated in our prototype. You can find here my slides and complementary material. It has already appeared in press.

Although we are not far from summer, I now feel I need some rest!

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